Miscellanies

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  • “There is an aesthetic crisis in writing, which is this: how do we write emotionally of scenes involving computers? How do we make concrete, or at least reconstructable in the minds of our readers, the terrible, true passions that cross telephony lines? Right now my field must tackle describing a world where falling in love, going to war and filling out tax forms looks the same; it looks like typing.”
    — ACM Web Science talk, as written | Quinn Said (via new-aesthetic)

    (via new-aesthetic)

    Source: quinnnorton.com
    • 2 weeks ago
    • 284 notes
  • asianhistory:


The picture above is a vintage photograph of an onna-bugeisha, one of the female warriors of the upper social classes in feudal Japan.
Often mistakenly referred to as “female samurai”, female warriors have a long history in Japan, beginning long before samurai emerged as a warrior class. However, they did fight alongside of samurai warriors. They were wives, widows and daughters who answered the call of duty to protect their families, households and honor in times of war.
Onna Bugeisha were the exception, rather than the rule, but they still played an important role nonetheless. One famous example is empress Jingu, who reportedly lead a successful conquest against Korea in 200 AD without shedding a single drop of blood (or so the legends say).

This is the second time this photo has gone around, and it is still not an image of an Onna Bugeisha, but rather was a photograph from a set of photos of Kabuki actors and Geisha in costume. 
The original caption read:

Portraits of Japanese Kabuki actors and geisha. Unknown photographer, 1870s.

It went on auction, which you can see listed here, and there were 34 prints total, but none of them were of Onna Bugeisha. Just a heads up! There are images of Onna Bugeisha on this blog here. 

    asianhistory:

    The picture above is a vintage photograph of an onna-bugeisha, one of the female warriors of the upper social classes in feudal Japan.

    Often mistakenly referred to as “female samurai”, female warriors have a long history in Japan, beginning long before samurai emerged as a warrior class. However, they did fight alongside of samurai warriors. They were wives, widows and daughters who answered the call of duty to protect their families, households and honor in times of war.

    Onna Bugeisha were the exception, rather than the rule, but they still played an important role nonetheless. One famous example is empress Jingu, who reportedly lead a successful conquest against Korea in 200 AD without shedding a single drop of blood (or so the legends say).

    This is the second time this photo has gone around, and it is still not an image of an Onna Bugeisha, but rather was a photograph from a set of photos of Kabuki actors and Geisha in costume. 

    The original caption read:

    Portraits of Japanese Kabuki actors and geisha. Unknown photographer, 1870s.

    It went on auction, which you can see listed here, and there were 34 prints total, but none of them were of Onna Bugeisha. Just a heads up! There are images of Onna Bugeisha on this blog here. 

    Source: choosechoice
    • 2 weeks ago
    • 1177 notes
  • TEDx: Can music really make you smarter?: Jessica Grahn

    tedx:

    New parents are awash in products claiming the power to turn their kids into geniuses with just a little bit of Mozart. Could any of these claims be true? At TEDxWesternU, Jessica Grahn examines the effects of music on the human brain, debunks common myths and highlights some of music’s real…

    Source: tedx
    • 3 weeks ago
    • 46 notes
  • Discussion of creative writing courses

    • 3 weeks ago
  • criminalwisdom:

Déjà vu: The War on Pants

2013: Louisiana town makes the wearing of sagging pants a $50 dollar offense.
1943: Los Angeles City Council bans zoot suits amidst series of clashes between servicemen and locals.

(Source: laphamsquarterly)

    criminalwisdom:

    Déjà vu: The War on Pants

    2013: Louisiana town makes the wearing of sagging pants a $50 dollar offense.

    1943: Los Angeles City Council bans zoot suits amidst series of clashes between servicemen and locals.

    (Source: laphamsquarterly)

    Source: laphamsquarterly
    • 3 weeks ago
    • 85 notes
  • “

    Wall Street collided with social media on Tuesday, when a false tweet from a trusted news organization sent the US stock market into freefall.

    The 143-point fall in the Dow Jones industrial average came after hackers sent a message from the Twitter feed of the Associated Press, saying the White House had been hit by two explosions and that Barack Obama was injured. The fake tweet, which was immediately corrected by Associated Press employees, caused a sensation on Twitter and in the stock market.

    ”
    — AP Twitter hack causes panic on Wall Street and sends Dow plunging | Business | guardian.co.uk (via new-aesthetic)

    (via new-aesthetic)

    Source: Guardian
    • 3 weeks ago
    • 39 notes
  • thenewinquiry:

Pop sounds from the People’s Republic of China walk a fine line between dabbling in adventurous experimentalism, selling out to the lure of big business, and negotiating political pressures. When I visited the capital last year, the finishing touches were being put to Beijing’s Dada club, which had already started hyping appearances from a whole host of dubstep pioneers including Pinch and Kode9. Meanwhile the vast National Centre for the Performing Arts, nicknamed ‘the Egg’ for its organic, titanium architecture, was featuring an evening of patriotic opera. One night in Beijing offers a kaleidoscope of incongruities, from manic pop-stardom to triumphalist hipsterdom.
But while the cacophony on the surface might suggest that China’s market reforms have eroded the Party’s capacity for cultural control, the reality is far more sober. The seeming diversity of Chinese pop only masks how institutionalized it is. While Chinese pop stars like Cui Jian, the grandfather of subversive Chinese rock, and the gender-transgressive Li Yuchun, who found fame in 2005 on Super Girl, an Idol-like contest that attracted hundreds of millions of viewers in an unprecedented “democratic moment” for the Chinese pop-music industry, seem to suggest diversity, their talent was nurtured by the music-conservatory system. Beijing’s cultural academies are inextricably bound up in the state’s system of rewarding those who play the game with prizes and prestigious tenure. Li YuchunMusicians like Li Yuchun form a singularly useful component in the state’s cultural project, stifling truly dissident art in a haze of superficial unorthodoxy. And in 2012, Beijing officials announced a £1.4 billion “China Music Valley” project, encompassing studios, music schools and five-star hotels, fully displaying the state’s persistent investments in soft power.
-“Power Pop” by En Liang Khong

    thenewinquiry:

    Pop sounds from the People’s Republic of China walk a fine line between dabbling in adventurous experimentalism, selling out to the lure of big business, and negotiating political pressures. When I visited the capital last year, the finishing touches were being put to Beijing’s Dada club, which had already started hyping appearances from a whole host of dubstep pioneers including Pinch and Kode9. Meanwhile the vast National Centre for the Performing Arts, nicknamed ‘the Egg’ for its organic, titanium architecture, was featuring an evening of patriotic opera. One night in Beijing offers a kaleidoscope of incongruities, from manic pop-stardom to triumphalist hipsterdom.

    But while the cacophony on the surface might suggest that China’s market reforms have eroded the Party’s capacity for cultural control, the reality is far more sober. The seeming diversity of Chinese pop only masks how institutionalized it is. While Chinese pop stars like Cui Jian, the grandfather of subversive Chinese rock, and the gender-transgressive Li Yuchun, who found fame in 2005 on Super Girl, an Idol-like contest that attracted hundreds of millions of viewers in an unprecedented “democratic moment” for the Chinese pop-music industry, seem to suggest diversity, their talent was nurtured by the music-conservatory system. Beijing’s cultural academies are inextricably bound up in the state’s system of rewarding those who play the game with prizes and prestigious tenure. Li YuchunMusicians like Li Yuchun form a singularly useful component in the state’s cultural project, stifling truly dissident art in a haze of superficial unorthodoxy. And in 2012, Beijing officials announced a £1.4 billion “China Music Valley” project, encompassing studios, music schools and five-star hotels, fully displaying the state’s persistent investments in soft power.

    -“Power Pop” by En Liang Khong

    Source: thenewinquiry
    • 4 weeks ago
    • 34 notes
  • In defense of whistleblowers: Margaret Heffernan

    tedx:

    Bad things happen when good people fail to act, says Margaret Heffernan. At TEDxDanubia, she explores the crucial role of whistleblowers, despite the sometimes high costs paid for uncovering the truth. (Filmed at TEDxDanubia)

    Each week, we choose four of our favorite talks, highlighting just a few of the enlightening speakers from the TEDx community, and its diverse constellation of ideas worth spreading. Browse all TEDxTalks here »

    Source: tedx
    • 4 weeks ago
    • 17 notes
  • TEDx: 6 talks on the wonder of words

    tedx:

    Language is a strange thing. We use it every day, but we often forget it’s there; it’s easy to learn as a child, but fiendishly difficult as an adult; and, for reasons that are hard to define, certain words can evoke strong emotions or even downright offend.

    Below, 5 TEDx Talks (and one TED…

    Source: tedx
    • 1 month ago
    • 178 notes
  • stormswaneforsaken:

    starryeyedmariam:

    MUSLIM HERITAGE - ALHAMBRA

    The Alhambra is a UNESCO World Heritage Site, and the inspiration for many songs and stories.

    Alhambra the complete form of which was Calat Alhambra, is a palace and fortress complex located in Granada, Andalusia, Spain. It was originally constructed as a fortress in 889, and was converted into a royal palace in 1333 by Yusuf I, Sultan of Granada.

    The Alhambra’s Islamic palaces were built for the last Muslim Emirs in Spain and its court, of the Nasrid dynasty. After the Reconquista (reconquest) by the Reyes Católicos (“Catholic Monarchs”) in 1492, some portions were used by the Christian rulers. The Palace of Charles V, built by Charles V, Holy Roman Emperor in 1527, was inserted in the Alhambra within the Nasrid fortifications. After being allowed to fall into disrepair for centuries, the Alhambra was “discovered” in the 19th century by European scholars and travelers, with restorations commencing. It is now one of Spain’s major tourist attractions, exhibiting the country’s most significant and well known Berber Islamic architecture.

    By order of the Regency of the Kingdom, 10 February 1870, confirmed by Royal Decree on 21 July 1872, and amplified by Royal Decree on 11 June 1896, the Alcazar of the Alhambra of Granada, as well as their gardens and accessory structures, are declared national-artistic monuments, and Elvira’s Gate is declared incorporated.

    In the twentieth century, by Royal Decree on 27 July 1943 the gardens of the Alhambra and the Generalife are declared Historical Gardens.

    More recently, at the UNESCO Convention, which was held in Buenos Aires between 29 October and 2 November 1984, the World Heritage Committee proceeded to officially include the Alhambra and the Generalife of Granada on the World Heritage List.

    Sources (first photo,second photo, third photo, text: wikipedia, official site)

    (via asianhistory)

    • 1 month ago
    • 5934 notes
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